SURREALCHEMY

by Cătălin Precup, artist

An exquisite garden of panaceatic delights and convulsive beauty in a surreal visual extravaganza.

Warning: May contain traces of nudity, sexually explicit content, violent or offensive material.
Disclaimer: All materials, unless otherwise specified, were taken from the Internet and are the copyrighted property of their respective creators/owners; proper attribution to the author or source of a work is included. In the event that there is still a problem or error with copyrighted material, the break of the copyright is unintentional and noncommercial and the material will be removed immediately upon presented proof.

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chagalov: Marcel Duchamp at home, New York, 1962 -by Duane Michals As I age, while I still have time, I yearn to know now, more than ever, my true self, that random and illusive thing, decorated with personality. We believe ourselves to be this kaleidoscope of passions and distractions. We are a brilliant and unknown moment, suspended between memory and anticipation, anxious in our uncertainties, and doomed to fade with our consciousness. How can such a mystery be photographed? What is left for us but amazement?— Duane Michals, in ‘I Am Much Nicer Than My Face: and other thoughts about portraiture’ - from Los Angeles Times (1989) from PdP

chagalov:

Marcel Duchamp at home, New York, 1962 -by Duane Michals

As I age, while I still have time, I yearn to know now, more than ever, my true self, that random and illusive thing, decorated with personality. We believe ourselves to be this kaleidoscope of passions and distractions. We are a brilliant and unknown moment, suspended between memory and anticipation, anxious in our uncertainties, and doomed to fade with our consciousness. How can such a mystery be photographed? What is left for us but amazement?
— Duane Michals, in ‘I Am Much Nicer Than My Face: and other thoughts about portraiture’ - from Los Angeles Times (1989)

from PdP

Posted 17 2 2012

#photography #Duchamp 

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